Echoes of the Unseen unfolds as a photographic investigation in which accidents — whether visual, temporal, or procedural — become generative forces. The series is built from the tension and overlap between analog photography, digital manipulation, and AI-based reconstruction, treating each medium not as a separate domain but as a field of collision. These collisions produce fractures, distortions, unexpected textures, and shifts in perspective that operate as small ruptures in the accelerated rhythm of contemporary image production.

By intentionally provoking errors — light leaks, digital artifacts, AI misreadings, temporal displacements — the work embraces the accident as a creative engine. Rather than correcting or concealing these imperfections, the process amplifies them, allowing each disruption to open new visual pathways. In this sense, the images are not simply captured; they are constructed, deconstructed, and reconstructed in layers that preserve the trace of each mistake. The accident becomes a site of invention, a moment in which the image hesitates long enough to reveal something that would otherwise remain unseen.

This practice positions Echoes of the Unseen as a subtle critique of visual acceleration and the exhaustion produced by incessant image-making. The fragments, shifts in angle, and overlapping temporalities invite the gaze to slow down, to linger, to rest. The viewer is encouraged to inhabit the in-between zones of the image — its ruptures, its seams, its echoes — where unfamiliar forms emerge. These echoes are not ghosts of what once was, but resonances of what may come to be through the friction between media.

Rather than offering a unified narrative, the series proposes a field of sensorial and conceptual drift. Each photograph functions as a fragment within a broader continuum, a point where the materiality of the analog meets the mutability of the digital and the hallucinatory potential of artificial intelligence. In this encounter, images emerge that challenge clarity and resist acceleration, insisting on the value of pause, interruption, and accident as pathways to seeing differently.